Dramatic+composition
121to write the book — Book Book (b[oo^]k), n. [OE. book, bok, AS. b[=o]c; akin to Goth. b[=o]ka a letter, in pl. book, writing, Icel. b[=o]k, Sw. bok, Dan. bog, OS. b[=o]k, D. boek, OHG. puoh, G. buch; and fr. AS. b[=o]c, b[=e]ce, beech; because the ancient Saxons and …
122Unities — Unity U ni*ty, n.; pl. {Unities}. [OE. unite, F. unit[ e], L. unitas, from unus one. See {One}, and cf. {Unit}.] 1. The state of being one; oneness. [1913 Webster] Whatever we can consider as one thing suggests to the understanding the idea of… …
123Unity — U ni*ty, n.; pl. {Unities}. [OE. unite, F. unit[ e], L. unitas, from unus one. See {One}, and cf. {Unit}.] 1. The state of being one; oneness. [1913 Webster] Whatever we can consider as one thing suggests to the understanding the idea of unity.… …
124Unity of type — Unity U ni*ty, n.; pl. {Unities}. [OE. unite, F. unit[ e], L. unitas, from unus one. See {One}, and cf. {Unit}.] 1. The state of being one; oneness. [1913 Webster] Whatever we can consider as one thing suggests to the understanding the idea of… …
125Without book — Book Book (b[oo^]k), n. [OE. book, bok, AS. b[=o]c; akin to Goth. b[=o]ka a letter, in pl. book, writing, Icel. b[=o]k, Sw. bok, Dan. bog, OS. b[=o]k, D. boek, OHG. puoh, G. buch; and fr. AS. b[=o]c, b[=e]ce, beech; because the ancient Saxons and …
126Noel Gay — (15 July 1898 – 4 March 1954) was born Reginald Moxon Armitage. He also used the name Stanley Hill professionally.[1] He was a successful British composer of popular music of the 1930s and 1940s whose output comprised 45 songs as well as the… …
127pastorale — /pastəˈral/ (say pahstuh rahl) noun 1. a composition written in imitation of the music of shepherds. 2. a 16th century dramatic composition which was one of the forerunners of opera. {Italian, from pastore shepherd, from Latin pastor} …
128coun|ter|point — coun|ter|point1 «KOWN tuhr POYNT», noun, verb. –n. 1. a melody added to another as an accompaniment. 2. the art of adding melodies to a given melody according to fixed rules. 3. the style of musical composition resulting from the way in which… …
