non-objective
71nonobjective — non·objective …
72nonobjective — /non euhb jek tiv/, adj. 1. not objective. 2. Fine Arts. not representing objects known in physical nature; nonrepresentational: some nonobjective works by Kandinsky and Mondrian. [1900 05; NON + OBJECTIVE] * * * …
73The Art of Fiction — The Art of Fiction: A Guide for Writers and Readers is a nonfiction book by Ayn Rand, published posthumously. Edited by Tore Boeckmann, it was published by Plume in 2000, ISBN 0452281547. The book is based on a 1958 series of 12 four hour… …
74Religion (Philosophies of) — Philosophies of religion Marcel, Jaspers, Levinas William Desmond Gabriel Marcel (1889–1973), Karl Jaspers (1883–1969) and Emmanuel Levinas (1906–) seem like a mere aggregate of thinkers. Jaspers, a German thinker who coined the phrase Existenz… …
75Rudolf Bauer (artist) — Alexander Georg Rudolf BauerLowy, Steven: [http://www.weinstein.com/bauer/pdfs/bauer essay full.pdf Rudolf Bauer: A non objective point of view] , Weinstein Gallery, San Francisco; 2007. URL last accessed 2007 08 15.] (February 11, 1889,… …
76SUPRÉMATISME — Première théorie de la peinture pure (non objective), le suprématisme apparaît en Russie en 1915. Lié dès sa première manifestation à la personnalité de Malevitch, le suprématisme aura une grande influence sur la génération de peintres cubo… …
77Abraham Walkowitz — Infobox Person name=Abraham Walkowitz dead=dead birth date=birth date|1878|3|28|mf=y birth place=Siberia, Russia death date=death date|1965|1|27|mf=y death place=New York, New York, U.S. Abraham Walkowitz (March 28, 1878 January 27, 1965) was an… …
78History of painting — The history of painting reaches back in time to artifacts from pre historic humans, and spans all cultures. The history of painting represents a continuous, though disrupted, tradition from Antiquity. Across cultures, and spanning continents and… …
79Existence of God — Part of a series on God General conceptions …
80Geometric abstraction — is a form of abstract art based on the use of simple geometric forms placed in non illusionistic space and combined into non objective compositions. Throughout 20th century art historical discourse, critics and artists working within the… …
